Переводческий комментарий видеофильма на английском языке

Автор: Пользователь скрыл имя, 10 Апреля 2013 в 23:35, дипломная работа

Описание работы

Целью данной работы является выявление и описание лингвистических и экстралингвистических особенностей перевода кино и видеопродукции. Данные особенности включают в себя как чисто лингвистические так и экстралингвистические.
Задачи исследования состоят в следующем:
1.Изучить теоретический материал лингвистического и экстралингвистического характера по вопросам, касающимся перевода кино- и видеопродукции
2.Выявить основные подходы к переводу широкоформатной продукции
3.Дать характеристику особенностям перевода диалогической и монологической речи в фильмах, а также особенностям перевода авторского дискурса

Содержание

Введение............................................................................................................2
Теоретическая часть
1.Общие сведения о переводе кино- и видеопродукции.............................4
2.Перевод диалогической речи....................................................................12
3.Открытый диалог и его особенности.......................................................14
4.Сценарий фильма как дискурс.................................................................17
5.Диалогическая типология высказываний................................................19
6.Конститутивная неоднородность авторского дискурса в фильмах......24
7.Диалог как стратегия авторского дискурса.............................................28
Практическая часть
1.Перевод:Отрывок из сценария к фильму “Твин Пикс”.(Twin Peaks)...................32
2.Переводческий комментарий....................................................................57
Заключение..................................................................................................60
Список использованной литературы.........................................................61
Оригинал отрывка сценария к фильму “Twin Peaks”..............................62

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imprinted on it.  Take a look.

 

Desmond comes around and takes a look.

 

On a piece of paper.

 

CLOSEUP: DESMOND

 

Pondering what he has seen.

 

ON THE SCENE

 

We move across to a clock on the wall that reads:  5:04.

 

DISSOLVE TO:

 

THE SAME CLOCK

 

It now reads 3:33.  Stanley zips up a regulation body bag around

Teresa.

 

DISSOLVE TO:

 

18.     EXT.  MORGUE - LATE NIGHT

 

Desmond and Stanley come out of the morgue.

 

STANLEY

Geez, Agent Desmond, it's three-thirty

in the morning.  Where are we going to

sleep?

 

DESMOND

We're not.  You and I are going to get

some food.

 

STANLEY

Yes, it's been several hours since we've

eaten.  I didn't realize that so much

time had past, did you, Agent Desmond?

 

Desmond takes a long look at Stanley.

 

STANLEY (continued)

You've got your own M.O., don't you,

Agent Desmond?

 

Desmond gets in and starts the car.

 

19.     EXT.  HAP'S DINER - LATE NIGHT

 

Establish.

 

20.     INT.  HAP'S DINER, MANAGER'S OFFICE - LATE NIGHT

 

Desmond and Stanley talk with JACK, the manager who has black wavy

hair with a black full mustache to match, shiny silk shirt with silver

strands sown in and an Indian turquoise belt.  He has a sign on his

shirt that says, "Say 'Goodbye' to JACK".

 

A GUY in the room is working on a light that keeps buzzing and

shorting out.  He doesn't really know what he's doing so he is

poking at the wiring.

 

JACK

Had the FBI here once before.  Back in

the fifties when Hap was running the

place.

 

DESMOND

Where's Hap?

 

JACK

He's dead - good and dead.

 

DESMOND

Sorry to hear it.

 

JACK

He didn't suffer.

 

DESMOND

I'd like to ask you a few questions about

Teresa Banks

 

JACK

Sheriff Cable's already asked me a few

questions about Teresa Banks.  She

worked nights for a month.  That's it.

 

DESMOND

Any friends?

 

JACK

No.

 

DESMOND

Ever see her with someone else?

 

JACK

No.

 

DESMOND

Did she ever mention any friends?

 

JACK

No.

(pointing)

Ask Irene over there.

 

He gestures thru a door that leads out to the diner, pointing out a

woman behind the counter.

 

JACK (continued)

Now, her name _is_ Irene and it _is_ night.

Don't take it any further than that.

There's nothin' good about it.

 

21.     INT.  HAP'S DINER - SAME

 

They sit at the counter and IRENE comes over to them.  Behind her is

the coffee and she is working on a cigarette.  Lipstick smeared on

the coffee cup.

 

IRENE

Take a good look around.  There's nobody in

this place - you're meetin' the reason

why.  What'll it be?

 

DESMOND

How come Jack let's you work here?

 

IRENE

Jack and I are united in holy matrimony.

 

DESMOND

Say no more.

 

Stanley is casing the restaurant as Irene pours them a couple of cups

of coffee.

 

DESMOND

(showing credentials)

Federal Bureau of Investigation, Special

Agent Chet Desmond.  I'd like to ask you

a few questions about Teresa Banks.

Jack said you knew her.  How well?

 

IRENE

 

She only worked here a month.  Nice

girl.  Never seemed to get here on time

though.  Ask me she had a little problem

with --

 

She makes a sniff to indicate a "cocaine problem".

 

IRENE (continued)

Came looking for a job with a friend of

hers.  Pretty girl.  Could've been her

sister.

 

DESMOND

What happened to her?

 

IRENE

There was only one job.  Teresa took the

job.  Her friend took a hike.  Never saw

her again.

 

DESMOND

Did you ever see Teresa take cocaine?

 

IRENE

No.

 

DESMOND

Do you take cocaine, Irene?

 

IRENE

No, I do not.  I never took cocaine or any

other drugs.  I don't take drugs.

 

STANLEY

Nicotine is a drug.  Caffeine is a drug.

 

IRENE

Who's Shorty?  Those drugs are legal.

 

DESMOND

He's with me.

(back on the track)

Anything you would like to tell us about

Teresa Banks that would help us out?

 

IRENE

I've thought about that.  I think her

death is what you would call a "freak

accident".

 

DESMOND

Thanks.

 

An OLD GUY, long and skinny, smoking, gets Desmond's attention.

 

OLD GUY

You talking about that little girl that

was murdered?

 

DESMOND

You have something to tell us?

 

OLD GUY

Yeah.

 

DESMOND

What?

 

OLD GUY

I can tell shit from shinolah.  Gets me

along way down that road.

 

Desmond moves away from him.

 

STANLEY

You think we ought to question him?

 

Desmond looks down at the coffee cup in Stanley's _left_hand_.

 

DESMOND

What time is it, Stanley?

 

Stanley checks his watch pouring hot coffee on himself.

 

STANLEY

Oh...

 

Desmond guides his laugh into a cough.

 

 

STANLEY

(looking at his watch while his

legs burn)

Agent Desmond, it's...

 

DESMOND

It's late, Sam.

 

STANLEY

(to himself as be dabs his pants

with napkins)

It's not late, it's early.  Really early.

 

Irene comes up to them with her purse in her hand.  She is going off

duty.

 

IRENE

You know, I never told anybody, but once

for about three days, just before her

time, Teresa's arm went completely

dead.

 

DESMOND

What do you mean?

 

IRENE

Her left arm.  It was numb.  She said she

couldn't use it.  Said it had no feeling.

Probably from the drugs she was taking.

(after a beat)

I just thought I ought to tell you.

 

DESMOND

Thanks.

 

Stanley watches her leave.

 

STANLEY

I doubt it was drugs, more likely a

problem with a nerve.  I could recheck

the arm for injuries, but for real nerve

work we are going to have to take the

body back to Portland.

 

DESMOND

I think that's a good idea.

 

22.     EXT.  HAP'S DINER - NEAR DAWN

 

As Desmond and Stanley head towards their car.

 

DESMOND

I think we should see the sun rise at the

Canyon Trailer Park.

 

STANLEY

Are you speaking to me in a code?

 

DESMOND

No, Sam, I'm speaking plainly and I mean

just exactly what I say.

 

STANLEY

In that case, we should go to the Canyon

Trailer Park.

 

Irene walks past them and towards the parking lot.

 

STANLEY AND DESMOND

Thanks, Irene.  Good...

(catch themselves)

Good morning.

 

STANLEY

Thank god it is morning.

 

23.     EXT.  CANYON TRAILER COURT - DAWN

 

Desmond and Stanley drive thru to the manager's trailer which is

surrounded by a small white picket fence.  They park and step to the

trailer.  Desmond knocks twice on the door.  From inside they hear a

voice that makes Cole's voice sound like a whisper.

 

VOICE

OH, GOD, WHAT...  WHAT...

 

Just then Desmond and Stanley notice a sign on the door that reads.

 

"DO NOT EVER DISTURB BEFORE 9

A.M...    EVER"

 

VOICE

CAN'T YOU READ!

 

STANLEY

Nine's really late.  We are really early.

 

They both fumble for their badges as they hear the manager coming

closer to the door.  They meet the manager, CARL RODD.

 

CARL

God damn, this better be

important.

 

He stops in the middle of this when he sees the badges.

 

DESMOND

Federal Bureau of Investigation, Special

Agent Chet Desmond and Agent Sam

Stanley.  Sorry to disturb you, but we

would like to see Teresa Banks' trailer,

please.

 

CARL

More popular than Uncle's Day at a

whorehouse.

(takes one step out of his trailer)

GOD DAMN, THAT MORNING SUN IS

BRIGHT!  BLUE BRIGHT.

 

Carl steps thru the little picket fence's gate and leads them towards

Teresa's Trailer.

 

CARL (continued)

Mrs. Simmons owns the trailer and she

lives in town.  Teresa rented it about a

month ago.

 

DESMOND

Did she have someone with her?

 

CARL

Right.  She had a friend with her.  The

friend took off.

 

DESMOND

Was there an argument?

 

CARL

Not that I know of.  But arguments do

happen, don't they?

 

DESMOND

Yes they do.  Did she have visitors?

 

CARL

No, hey, I already told this whole damn

thing to Sheriff "Not-Quite-Able"...

Here's the trailer now.

 

He swings open the door.

 

CARL (continued)

And this is exactly the way she left it.  I

never touched a GOD DAMN THING.

(frustration rising)

GOD!

 

Desmond and Stanley go in.

 

24.     INT.  TERESA'S TRAILER

 

Desmond smells the room.  He and Stanley look around.  Stanley leans

over to Desmond.

 

STANLEY

(whispers)

She lived alone.

 

DESMOND

She must have known someone.

 

Desmond notices her personal effects on the dresser, but no ring.

 

 

DESMOND (continued)

You better dust this place, Sam.

 

STANLEY

I'll get my kit.

 

25.     EXT.  CANYON TRAILER COURT

 

Stanley walks towards the car.  He writes in his note book.

 

STANLEY

(to himself)

5,600 dollars.

 

26.     INT.  TERESA'S TRAILER

 

Desmond notices a picture hanging on the wall.  Takes the picture

down and looks at it thru his magnifying glass.

(more)

 

INSERT - PICTURE

 

Teresa Banks is wearing a ring.

 

BACK ON THE SCENE

 

Stanley returns with his equipment.  Desmond shows him the photograph.

 

DESMOND

Take a look at this.

 

STANLEY

She's wearing a ring.

 

Stanley studies it.

 

DESMOND

My guess is there isn't enough detail in

the photo to get an idea of the design on

the ring, but we should do a blowup of

this anyway.

 

STANLEY

(squinting at the picture)

May I see the magnifying glass, Agent

Desmond?

(takes a look, then looks at

Desmond)

There doesn't seem to be enough detail

in the photo to ascertain the design on

the ring.

 

Carl leans in from the outside.

 

CARL

I'm gonna make myself some Good

Morning America.  You want some?

 

Both nod "yes".

 

DISSOLVE TO:

 

27.     INT.  TERESA'S TRAILER - LATER

 

Stanley is finishing up his work.  Carl brings them their coffee.

Desmond tastes the coffee under Sam's watchful eye.

 

DESMOND

You weren't kiddin'.  This stuff's got the

sting of the forty-eight hour blend.

 

CARL

That's right.  That's the best coffee

you're gonna get around here.

 

STANLEY

(watching Desmond drink)

We really do need a good "wake me up",

don't we, Agent Desmond?

(after a long look from Desmond)

We really do need a good "wake me up",

don't we, Agent Desmond?

 

A WOMAN sticks her head into the trailer.  She has an ice pack over

one eye and a load of idle curiosity.  Desmond notices her.

 

DESMOND

Did you know Teresa Banks?

 

She just nods in the negative and leans back out.  Behind her is

Deputy Cliff, who looks into the trailer.

 

CLIFF

Hey, how's J. Edgar doin'?

(to Carl)

Bet you appreciate them bustin' your

mornin' in half, eh, Carl?  Bet they woke

you up.

 

CARL

They're only doing their job.

 

DESMOND

What are you doing here in the trailer

court, Deputy?

 

CLIFF

Maybe I just live here, what do you

think about that?

 

DESMOND

Can I ask you where you were the night

Teresa Banks was murdered?

 

CLIFF

You can tell J. Edgar that I was at a

party and I got fifteen fuckin'

witnesses.

 

CARL

Maybe if you did a little less partyin'

that little girl would still be alive.

 

CLIFF

Is that right, Mr. Jack Daniels?

 

DESMOND

Did you know Teresa Banks?

 

CLIFF

Got a couple of cups of coffee at Hap's

from her.  That's it.  By the way where

do you get off questioning a lawman?  I

could ask you the same question.

 

DESMOND

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