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It is not a part of the plan of this book to present any extended bibliography, but there are certain reference books to which the student's attention should be called.
27-29, and
36-38 refer to the reviewer of Keats' poems in 'The Quarterly Review.'
In stanza 30 'The Pilgrim of Eternity' is Byron and the poet of Ierne
(Ireland) is Thomas Moore. 231 ff: the 'frail Form' is Shelley himself.
41. KEATS.
One day. Above, pages 294-298. Read 'The Eve of St. Agnes,' the
'Ode to a Nightingale,'
'Ode to a Grecian Urn,' and others of the shorter poems. 1. Note definitely
for citation in class passages of strong appeal to the various senses
and of beautiful melody and cadence. 2. Just what are the excellences
of 'The Eve of St. Agnes'? Is it a narrative poem? 3. Consider classical
and romantic elements in the poems.
42. THE CHARACTERISTICS
OF THE VICTORIAN PERIOD, AND MACAULAY. Two days, with written discussion,
of Macaulay. Above, pages 299-309. read either (1) one of the essays,
for example that on Olive or Bacon or Pitt or Chatham or Warren Hastings,
or (2) a chapter in the History. Good chapters for the purpose are:
3, 5, 8, 15, 16, 20, 25. The following topics may be used for written
discussions, or may be assigned to individual students for oral reports
in class. Oral reports should be either written out in full and read
or given from notes; they should occupy five or ten minutes each and
may include illustrative quotations. 1. The effect of Macaulay's self-confidence
and dogmatism on the power of his writing and on the reader's feeling
toward it. 2. His power in exposition; e.g., the number and concreteness
of details, the power of selection, emphasis, and bringing out the essentials.
3. Structure, including Unity, Proportion, Movement. 4. Traits of style;
e.g., use of antithesis and figures of speech; sentence length and balance.
5. How far does his lack of Idealism injure his work? Has he the power
of appealing to the grand romantic imagination? 6. His power in description.
7. Power as a historian. Compare him with other historians.
43. CARLYLE.
Two days. Above, pages 309-314. Unless you are already familiar with
'Sartor Resartus' read in it Book II, chapters 6-9, and also if by any
means possible Book III, chapters 5 and 8. Otherwise read in
'Heroes and
Hero-Worship' or 'The French Revolution.' (The first and third books
of 'Sartor Resartus' purport to consist of extracts from a printed book
of Teufelsdrockh, with comments by Carlyle; the second book outlines
Teufelsdrockh's (Carlyle's) spiritual autobiography.) In 'Sartor Resartus':
1. Make sure
that you can tell definitely the precise meaning of The Everlasting
No, The Center of Indifference, and The Everlasting Yea. Look up, e.
g. in 'The Century Dictionary,' all terms that you do not understand,
such as 'Baphometic Fire-Baptism.' 2. Your general opinion of his style?
3. Note definitely its main peculiarities in (a) spirit; (b) vocabulary
and word forms; (c) grammar and rhetoric.
44. RUSKIN.
Two days. Above, pages 314-319. Most convenient for the purposes of
this study is Tinker's 'Selections from Ruskin' (Riverside Literature
Series). Everything there is worth while; but among the best passages
are 'The Throne,' page 138, and 'St. Mark's,' page 150; while pages
20-57 are rather more technical than the rest. Among Ruskin's complete
works 'Sesame and Lilies,' 'The Crown of Wild Olives,' and
'Praterita'
are as available and characteristic as any. Subjects for written or
oral reports: 1. His temperament and his fitness as a critic and teacher.
2. His style--eloquence, rhythm, etc. 3. His power of observation.
4. His power
in description. Consider both his sensitiveness to sense-impressions
and his imagination. 5. His expository power. 6. His ideas on Art. How
far are they sound? (In the 'Selections' there are relevant passages
on pages 164, 200, and 233.) 7. His religious ideas. How far do they
change with time? 8. His ideas on modern political economy and modern
life. How far are they reasonable? (Perhaps 'Munera Pulveris' or
'Unto This
Last' states his views as well as any other one of his works.)
9. Compare
with Carlyle in temperament, ideas, and usefulness.
45. MATTHEW
ARNOLD. Three days. Above, pages 319-325. The poems read should include
'Sohrab and Rustum' and a number of the shorter ones. The discussion
of the poems may treat: The combination in Arnold of classic and romantic
qualities; distinguishing traits of emotion and expression; and, in
'Sohrab and Rustum,' narrative qualities. If you are familiar with Homer,
consider precisely the ways in which Arnold imitates Homer's style.
Of the prose works best read 'Culture and Anarchy,' at least the introduction
(not the Preface), chapters 1, 3, 4 and 5, and the Conclusion. Otherwise
read from the essays named in the text or from Professor L. E. Gates'
volume of Selections from Arnold. Consider more fully any of the points
treated above. If you read the 'Essays on Translating Homer' note the
four main qualities which Arnold finds in Homer's style.
46. TENNYSON.
Two days. Above, pages 325-329. Special attention may be given to any
one, or more, of the statements or suggestions in the text, considering
its application in the poems read, with citation of illustrative lines.
Or consider some of the less simple poems carefully. E. g., is 'The
Lady of Shalott' pure romance or allegory? If allegory, what is the
meaning? Outline in detail the thought-development of 'The Two Voices.'
Meaning of such poems as 'Ulysses' and 'Merlin and the Gleam'?
47. ELIZABETH
BARRETT BROWNING AND ROBERT BROWNING. Two days. Above, pages
329-335. In
general consider the application of the statements in the text; and
in the case of Robert Browning consider emotional, dramatic, descriptive,
and narrative power, poetic beauty, and adaptation of the verse-form
to the substance. Interpret the poems as carefully as possible; discussions
may consist, at least in part, of such interpretations.
48. ROSSETTI,
MORRIS AND SWINBURNE. Above, pages 335-341. Students might compare and
contrast the poetry of these three men, either on the basis of points
suggested in the text or otherwise.
From this point on, the time and methods available for the study are likely to vary so greatly in different classes that it seems not worth while to continue these suggestions.